Maths is the study of quantity, structure, space, change, and related topics of pattern and form.
Rock is a naturally occurring solid aggregate of minerals and/or mineraloids.
‘Schematics’ is the debut EP from five piece Helsingfors, including all four ex-From The Sky members, and is an instrumental post-math-rock hybrid, a logical progression from their previous work. Upping the complexity and melodic layering mixed with upbeat, jarring indie-rock, ‘Schematics’ was recorded primarily as a live band and bursts with the live energy this brings.
1. Angle of Depression
2. Truncation Error
3. Russian Inversion Notation
4. The Panda Conundrum
The record was written towards the end of 2008, and recorded over the winter of 2009. It’s something of a summer pop record. Or about as close as we’ll ever get to writing a summer pop record anyway. We hope you like it.
‘Sparks and Beams’ is a beautifully crafted and studied record, full of interweaving guitar and bass lines and intelligent flowing drums, creating a gloriously chiming and melodic post/math-rock EP.
2. Hey, Computer!
3. No Slack Battalion
Tangled Thoughts of Leaving’s music is progressive by nature. The inclusion of sparse influences, guided by concept and fused together, is the conception of their own sound, as each musicians respective inspirations force the collective into unchartered territory.
After several years of existence and growth, mid 2007 saw Tangled Thoughts of Leaving construct themselves a purpose built, make shift creative space.
A medium sized room, dedicated to forward thinking; the birth of new sound. In that very room, what was previously theory, became reality, and so began the Process of four people leaving mediocrity behind them.
In the months of January, February and March of 2008, TToL used their creative space to record a concept, aptly titled ‘Tiny Fragments’. This EP was to represent their current thought process. They gave themselves a series of themes, ideas from a previously recorded improvisation and a set amount of time. What followed was roughly 3 months of sporadic sessions, in which the 18 minute, 3 part title track was written and recorded.
With the creation of Tiny Fragments the band have demonstrated that they would rather risk potential failure than never pursue the invention of interesting art. Tiny Fragments was an experiment and is the final step before they put a short lived emphasis on live performance, then return to the studio to record their debut album.
If you would like a CD version of ‘Tiny Fragments’, you can order one from here.
1. Tiny Fragments Part One
2. Tiny Fragments Part Two
3. Tiny Fragments Part Three
4. The Banshee
Inertia Blooms are currently in a place between two places.
Full of new material, but concentrating on the last year of degrees. We have re recorded some things that have evolved since we first did them. One is a reworking of a track off the Hostages EP, the other was available on the Scrooge compilation that Robot Professor put out a couple of years back.
You might recognise both of them as the collective last song we usually play at shows. We’ve also found another track down the back of the sofa, it had some lint on it and was next to a shilling. It’s also the first acoustic thing we have released . This is a companion release to our 2008 EP ‘Cours Camarade, Le Viuex Monde Est Derrière Toi’, and it’s name is a partial translation.
1. Your Answers Questioned
2. Funny We Should Meet Like This
3. Shine To Cracked Buttons (Acoustic)
What does Magnets sound like? Imagine, if you will, Don Caballero and Tortoise having a baby. At age ten, after seeing his parents killed in a tragic trapeze accident, Steve Reich adopted the child as his ward, and secretly trained him to be his partner in crime-fighting. Upon reaching puberty, the young band fell hopelessly in love, and shared it’s most precious gift. Though Fugazi was a tender and generous lover, society wasn’t ready to accept their love, and the romance was doomed. In college, Magnets took a part time job with Miles Davis. It paid minimum wage, and provided no health insurance. Now, in 2008, the Denton, Texas based trio of John Gillespie, David Willerton, and Jonathan Losasso strive to make compelling and exciting music by melding traditional rock elements with more unorthodox compositional ideas.
1. Will to Flower
2. I Know What Five Does to Numbers
3. Jewelry, Such as Memory
4. Never Ape an Ape-Man
7 Tracks to close an era and open new horizons.
This EP was recorded in 2007 by Greg Hoepffner @ Feels like Home Studio, back when he wasn’t in the band yet…
When people ask us “what kind of music do you make?”, we think for a few seconds and then realize we don’t really know.
“Rock”, I guess? But not too generic? Something that’s trying to surprise you, and put you in soothing state of mind at the same time? Something that feels “real” and “organic”.
You get the picture. And if you don’t, that’s normal : these songs come with a unfinished taste, hence the name. If we couldn’t seize a bit of truth with these tracks, hopefully we will in the future. Yes, we definitely will.
1. I Stood Up ’til Day Shows Up
3. Depicted Intimacy
4. The Thief
6. Shone Through
7. Artifact Poetry
Los Angeles based indie-jazz/math-rock (though subtly defiant of both terms)band Charts and Maps have released a 4 song EP, titled “Enemies of C.Frias”. Working with engineer/producer Chris Schlarb (whose solo projects and free-jazz duo I Heart Lung are released through Sufjan Steven’s Asthmatic Kitty records), the band have managed to further hone their sound while losing none of the adventurous flair of their previous releases.
Characterized by unrestrained song structure, a keen ear for new aesthetic, and an unabashed ability to throw a looping curveball in the form of a key change or time signature switch, Charts and Maps still make music for people who understand music, but have developed upon their ability to blend the aforementioned with catchy and grooving hooks. Their music is intrinsically unclassifiable, roving between genres, tied together by stylistic nuances–categorized by their uncategorizability (yeah, it’s a word, apparently), as much as anything else. Instead of losing themselves in heady concept, as many bands with this kind introduction do, Charts and Maps are unequivocally listenable and sonically pleasant. Take a listen for yourself.
As key members of Heard.of.Elephants, an art/music collective that has been gathering praise, acclaim, and following in the Los Angeles area recently for their forward-thinking stance on showgoing (mixing art, music, film, and sociality into one convenient event), Charts and Maps have taken their live show to a new level. Adding Jay Watford on guitar and Mike Allison on Sax, the band’s energy is unmistakable. The affair is a lot more raucous than one would imagine when listening to the intricacy of the music.
1. Pearl Divers of the Arabian Peninsula
2. Herd of Elephants
3. The Sheriff Suspects Arson (ii)
4. In the Town of Machine
Download from here.